T.S. Eliot: Bibliography

T.S. ELIOT: A BIBLIOGRAPHY

POETRY

Prufrock and Other Observations (The Egoist Press, 1917).
Ara Vos Prec (The Ovid Press, 1919).
Poems (Alfred A. Knopf, 1920).
The Waste Land (Boni and Liveright, 1922).
Journey of the Magi (Faber and Gwyer, 1927).
A Song For Simeon (Faber and Gwyer, 1928).
Animula (Faber & Faber, 1929).
Ash Wednesday (Faber, 1930).
Anabasis, a Poem by St-John Perse (Eliot translation). (Faber and Faber, 1930).
Marina (Faber & Faber, 1930).
Collected Poems 1909-1935 (Faber & Faber, 1936).
Old Possum's Book of Practical Cats. (Faber, 1939).
East Coker (Faber, 1940).
Burnt Norton (Faber & Faber, 1941).
The Dry Salvages (Faber & Faber, 1941).
Little Gidding (Faber, 1942).
Four Quartets (Harcourt, Brace, 1943).
The Complete Poems and Plays (Harcourt Brace, 1952).
Collected Poems (Faber & Faber, 1963).
Inventions of the March Hare: Poems 1909-1917 (Faber & Faber, 1996).

PLAYS

Sweeney Agonistes (Faber & Faber, 1932).
The Rock (Faber & Faber, 1934).
Murder in the Cathedral (Faber & Faber, 1935).
The Family Reunion (Faber & Faber, 1939).
The Cocktail Party (Faber & Faber, 1950).
The Confidential Clerk (Faber & Faber, 1954).
The Elder Statesman (Faber & Faber, 1959).
Collected Plays (Faber & Faber, 1962).

PROSE

The Sacred Wood (Methuen, 1920).
Andrew Marvell (Oxford University Press, 1922).
Homage to John Dryden (The Hogarth Press, 1924).
Shakespeare and the Stoicism of Seneca (De La More Press, 1927).
For Lancelot Andrews: Essays on Style and Order (Faber & Gwyer, 1928).
Dante (Faber & Faber, 1929).
Tradition and Experiment in Present-Day Literature (Oxford University Press, 1929).
Thoughts After Lambeth (Faber and Faber, 1931)
John Dryden (Terence & Elsa Holliday, 1932).
Selected Essays 1917-1932. (Faber & Faber, 1932).
The Use of Poetry and the Use of Criticism (Harvard University Press, 1933).
After Strange Gods (Faber and Faber, 1934).
Elizabethan Essays (Faber & Faber, 1934).
Essays Ancient and Modern (Faber and Faber, 1936).
The Idea of a Christian Society (Faber and Faber, 1939).
Britain at War (Museum of Modern Art, 1941).
Points of View (Faber, 1941).
The Classics and The Man of Letters (Oxford University Press, 1942).
Notes Towards the Definition of Culture (Faber and Faber, 1949)
Poetry and Drama (Faber and Faber, 1951).
The Three Voices of Poetry (Cambridge Univ Press, 1954).
Religious Drama: Mediaeval and Modern (House of Books, 1954).
On Poetry and Poets. (Faber & Faber, 1957).
The Varieties of Metaphysical Poetry (Harcourt Brace, 1994).

BIOGRAPHIES/CRITICISM

The Flesh and the Word: Eliot, Hemingway, Faulkner, Floyd C. Watkins (Vanderbilt Univ Press, 1971).
T.S. Eliot: A Collection of Criticism, Ed. Linda Welshimer Wagner (McGraw-Hill, 1974).
T. S. Eliot, Stephen Spender (Viking Press, 1976).
Eliot's Early Years, Lyndall Gordon (Oxford University Press, 1977).
"Ulysses," "The Waste Land," and Modernism: A Jubilee Study, Stanley Sultan (Associated Faculty Press, 1977).
A Half-Century of Eliot Criticism, Mildred Martin (Associated Univ Press, 1979).
Thomas Stearns Eliot, Poet, Anthony David Moody (Cambridge University Press, 1979).
T.S. Eliot: An Introduction, Northrop Frye (University of Chicago Press, 1981).
T. S. Eliot: The Critical Heritage, Ed. Michael Grant (Routledge Kegan & Paul, 1982).
T.S. Eliot and the Poetics of Literary History, Gregory S. Jay (Louisiana State University Press, 1983).
T. S. Eliot: A Life, Peter Ackroyd (Simon & Schuster, 1984).
The Matrix of Modernism: Pound, Eliot, and Early Twentieth-Century Thought, Sanford Schwartz (Princeton Univ Press, 1985.)
The Poetics of Impersonality: T. S. Eliot and Ezra Pound, Maud Ellmann (Harvard Univ Press, 1987).
T.S. Eliot's the Waste Land, Harold Bloom (Chelsea House, 1988).
The American T. S. Eliot: A Study of the Early Writings, Eric Sigg (Cambridge University Press, 1989).
Skepticism and Modern Enmity: Before and After Eliot, Jeffrey M. Perl (Johns Hopkins Univ Press, 1989).
Reading "The Waste Land": Modernism and the Limits of Interpretation, Jewel Spears Brooker and Joseph Bentley (Univ. of Massachusetts Press, 1990).
Harmony of Dissonances: T.S. Eliot, Romanticism, and Imagination, John Paul Riquelme (Johns Hopkins Univ Press, 1991).
The Savage and the City in the Work of T.S. Elliott, Robert Crawford (Oxford University Press, 1991).
T. S. Eliot: The Modernist in History, Ronald Bush (Cambridge University Press, 1991).
A Guide to the Selected Poems of T.S. Eliot, B. C. Southam (Harvest Books, 1996).
T. S. Eliot and the Ideology of Four Quartets, John Xiros Cooper (Cambridge University Press, 1996).
T.S. Eliot Anti-Semitism and Literary Form, Anthony Julius (Cambridge University Press, 1996).
T.S. Eliot and the Use of Memory, Grover Cleveland Smith (Bucknell Univ Press, 1996).
A Reader's Guide to T.S. Eliot: A Poem-By-Poem Analysis, George Williamson (Syracuse Univ Press, 1998).
T.S. Eliot and American Poetry, Lee Oser (Univ of Missouri Press, 1998).
T.S. Eliot: Comprehensive Research and Study Guide, Harold Bloom (Chelsea House, 1998).
Eliot's Dark Angel: Intersections of Life and Art, Ronald Schuchard (Oxford University Press, 1999).
T.S. Eliot and the Philosophy of Criticism, Richard M. Shusterman (iUniverse.com, 2000).
T.S. Eliot: An Imperfect Life, Lyndall Gordon (W.W. Norton & Company, 2000).
T.S. Eliot and Our Turning World, Ed. Jewel Spears Brooker (Palgrave Macmillan, 2001).
A Critical Reading of the Selected Poems of T.S. Eliot, Manju Jain (Oxford University Press, 2002).
Discovering Modernism: T.S. Eliot and His Context, Louis, III Menand (Oxford University Press, 2003).